Anything To Mean Something

Why am I making myself worry about the Blair Witch and Ring reboots? I don’t care about either of them. For the most part I still like The Ring, although all the gothic atmospherics won’t save your film if the monster’s reveal is a dud, and I’ll talk your ear off about my capital L Love for the Blair Witch and its what could have been sequel if you let me. But there’s no reason that I should be wringing my hands over multi-million dollar properties.

 

I’m trying to listen to less podcasts. There are a few that I listen to religiously and I feel like I need to cut them out of my life so I can use the brain space they’re taking up for new ideas or facts about serial killers that I can spout off at parties. One podcast that’s proving to be difficult to excise is the Bret Easton Ellis Podcast. His first season of episodes included incredible interviews with Alexander Aja, BJ Novak, and some really interesting people from the realms of music and film. But this year he’s been interviewing luminaries like John Carpenter and Peter Bogdanovich who, while once masters of an art form, have turned into grumpy old bastards who trot out the same tired bullshit about how the current generation of filmmakers and artists don’t have any soul. Or that people are just copying them, or blah blah blah set me on fire now please. Every time I listen to one of these interviews I spend an hour typing down every angry thought that comes to mind. I write full responses to people that don’t care what I think (and rightfully so, they both made some of the most influential films of the late 20th century), and that kind of reaction is taking up too much of my day.

 

Do we put ourselves through emotional turmoil to avoid facing reality? Am I typing and deleting screeds against worn out directors because I don’t want to think about how much the repairs on my car cost? Nothing these people say or do can hurt me, so why do I care? In a world where nothing matters I’d really like anything to mean something.